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Integridad en el paisaje de la historia


Integrity and Historical Research by Tony Gibbons and Emily Sutherland (eds.), New York/London: Routledge, 2012
  
Reviewed by María G. Navarro


Tony Gibbons and Emily Sutherland are the editors of a work devoted to exploring in what sense integrity is a virtue relating to historical research. The choice of this particular virtue is not casual. History is obviously one of humanity’s most characteristic areas of research.  The editors and authors of the eleven chapters of Integrity and Historical Research begin with the conviction that without a certain sense of history, and thus without narratives about the social and personal world, all of us might be less human, or even something completely different.
     This book does not merely justify and analyse this commonplace. Integrity can be defined in many ways and applied to many things. Gibbons reminds of this when he states “the word ‘integrity’ is used in many contexts, from the integrity of an ecosystem or a database to the integrity of a person […] The ecosystem has integrity when it is unpolluted and uncorrupted by factors alien to its well-being and flourishing” (p.1). In each chapter the analogy between the integrity of an ecosystem and of history becomes a metaphor, or indeed an analogy to attribute new fields for investigation, new socio-political responsibilities, and in a nutshell, new interstices to historical research.
     All the chapters in this book explore the relationship between integrity and historical research in order to discover the meaning, purpose and impact of history in a different horizon of understanding. One of the speculative and metaphorical products of the association between integrity and history is that, as integrity is a moral characteristic of an individual when he or she displays virtue consistently over time, we can say that the integrity of an ecosystem is the result of estimating the degree and nature of its incorruptibility over time.
     This last aspect is not just significant as an allegory or metaphor. The authors of this volume affirm that historical research transforms the landscape (Nicholas Brown, Rick Hosking, Angela Franks). History in general (not just the history of eyewitness accounts or collective action, for example) corrupts our geological ecosystems to the point of making them the backdrop to the cultural and symbolic transformation of this particular form of research.  
     But history does not just come from rocks; it is also part of the media education of different nations, of our oral culture, and of our literary and film narratives (María Reimóndez, Dave Mosler and Jessica Murrell, Juanita Feros Ruys, Jerome de Groot, Patricia Duncker). The relationship between integrity and history allows us to occupy the interstice between, on one hand, the visual and media culture which produces stereotypes of the activity and profession of historians, and on the other, the representations of time (present, past and future) which historians produce for an audience, in a broad sense.         
     Occupying these interstices is relevant, given that from this place we discover an integrity which applies not only to landscapes, social groups (such as historians), events, narratives, etc., but also to audiences, the politics of memory, generations, novels or TV series (Catalina Botez, Emily Sutherland, Jerome de Groot). Both the action of writing history and its effects (political, geographical, on the landscape, on fiction, on the media) are permeated by the question of what our integrity is and how far it reaches (Tony Gibbons). The book is designed to approach each of these subjects, shining a light on the effects of this integrity: literature, film, Australian landscapes, oral narratives, eyewitness accounts, etc., form part of the materials which challenge not only the authors of this book, but researchers and readers in general. In a way, the fact that they are found in this book responds to the need to approach in a defined way how this virtue affects our action of understanding and writing history.
     The chapters are attractive from a literary point of view, easy to read and enthusiastic, each with an individual approach, with the common feature of providing an annotated bibliography on the subject. Perhaps the only objection to raise is that there is no chapter dedicated to analysing the influence of virtue epistemology on historical research in general, and the different historiographic models in particular.  This hypothetical section would have been useful for understanding in what sense the virtues of the social group formed by historians uses technology, argumentation schemas and strategies, inferential models, heuristics, and perhaps, specific cognitive biases in each era and current in historiography.
     Finally, we can say that this book, edited by Tony Gibbons and Emily Sutherland, is an exhaustive and consistent compilation of the connection between Integrity and Historical Research. This volume can be presented as a modern contribution to the question of how history affects researchers in the human sciences, and how many research subjects characteristic of the human sciences (occasionally) and unique to contemporary society (in many other cases) should widen the goals of historical research. 

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